Rereading Oh hada cibernética of Carlos Germán Belli
Abstract
The poetry of Charles Germain Belli underserved in the years of overwhelming dominance of politically engaged poetry, good and bad–soon make its epochal significance not only within the Peruvian poetry, but in the broader field of Spanish–language poetry and through translation–al–even beyond. While still not talked about in our post– modern (60) the unusual, novel composition or (dis) articulation of forms and materials from sources as far away as the Spanish Golden Age and the vanguards of the twentieth century, in particular the Surrealism together, in addition to the insertion of words and phrases of colloquial speech of the Peru–added or explicitly invoking the fairy cyber underground, which includes the (in) hope in the magic and technology, producing the simultaneous effect of shock and secrecy. In turn, the secrecy–on, discontinuous–Belli’s poetry does not let you insert offset by a reception in the production of culture in the field of free market economy and its transformation or concealment of the poetry in consumer object . Conversely, Belli’s poems offer a read as it appears, first, its size implicitly critical of contemporary society and, secondly, they point to the bases (meta) physical, disturbing, marking innombables gloomily our existence, yet open (de) hope its transformation (perhaps poetry is a substitute or placebo after the change).Downloads
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